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LOOKING

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Howard and Roberta Ahmanson visit Olafur Eliasson’s “Room for one colour (1997)” at the National Gallery in London. The immersive installation is the final work in the exhibition “Monochrome: Painting in Black and White” curated by Jennifer Slivka and sponsored by the Ahmansons'. The exhibition spans seven centuries and includes 50 works by artists who have—in most cases—deliberately turned to monochrome in their art, whether it me black and white paintings, grisaille drawings, yellow and black stained glass, or a room filled with yellow light.
One of the attributes of God himself is Beauty.  Not something sentimental or a means of setting standards to exclude work that doesn’t fit our social or intellectual paradigms, but rather that experience we enjoy when a work of art or the way the light hits the water gives us a deeper and rewarding, even if painful, glimpse into the nature of reality and of our lives. Beyond that, the Bible teaches that human beings are made in the image of God. That means, first off, that we are beautiful. It also means that, as God created the universe in all its glory, we, too, are creators. So, art works are tangible expressions of God’s work in us and in the world. And, we are part of the wonder of it all. Collections bear witness to the Beauty and the extravagance of the universe and the God who created it.
*This art is intended for educational purposes only. It is a representative sample of the Ahmansons' collection. Copyrights belong to the artists.*
Run III

Run III

Gilliam, Sam

Watercolor on handmade paper paper

2014

American

Crimson Dream

Crimson Dream

Wilson, Patrick

Acrylic on canvas

2020

American

The Seventh Day (D)

The Seventh Day (D)

Engelhardt, Maja Lisa

Acrylic on canvas

2017

Danish

Dunmore Ruins, Stirling

Dunmore Ruins, Stirling

Dodds, Kieran

Photographic print on paper

2023

Scottish

30 Coats #4

30 Coats #4

Lewis, Diaz

Sculpted dryer lint comprised of hair, skin cells, dust, clothing fibers with iron and wire rods

2018

American, Cuban

Where Once a Hermit

Where Once a Hermit

Gordon, Alastair

Oil and acrylic on canvas

2023

Scottish

West to Craigleth

West to Craigleth

Gordon, Alastair

Oil and acrylic on canvas

2023

Scottish

Sway

Sway

Day, Heather

Mixed media on canvas

2020

American

FAITH, HOPE & LOVE

FAITH, HOPE & LOVE

Munroe, Lavar

Acrylic, spray paint, mirror beads, doll, faux birds, feather, plastic and staples on canvas

2021

Bahamian-American

Clear/Red Vase

Clear/Red Vase

Scarpa, Carlo

Hand-blown glass

1940

Italian

Robit Bata II

Robit Bata II

Dodds, Kieran

Archival photographic print
Edition 1 of 10 + AP

2018

Scottish

Cowgirl

Cowgirl

Fallah, Amir H.

Acrylic, spray paint, and collage on canvas

2020

American

The Seventh Day (K)

The Seventh Day (K)

Engelhardt, Maja Lisa

Acrylic on canvas

2017

Danish

Praha, Jeruzalémská Synagoga

Praha, Jeruzalémská Synagoga

Brunetti, Markus

Archival pigment print

2019

Italian

The Resurrection

The Resurrection

Gill, Eric

Wood engraving

1917

British

Gold Band

Gold Band

Anatsui, El

Hand-sculpted and formed UV cured acrylic resin inkjet on aluminum with irregular hand-cut edges and copper wire

2020

African

And end and a beginning

And end and a beginning

Freeman Bentley, Anna

Oil on canvas

2023

British

Ghost

Ghost

Belanger, Genesis

Concrete, steel, zip ties, and walnut

2014

American

Untitled (New Jerusalem)

Untitled (New Jerusalem)

Morgan, Sister Gertrude

Tempura on paper

c. early 1970s

American

Puntini (Dots) Vase

Puntini (Dots) Vase

Scarpa, Carlo

Iridescent clear hand-blown glass

1938

Italian

Orange Frame

Orange Frame

Lipke, Meg

Acrylic on muslin with polyester fill and thread

2021

American

Neveruses (Stinger)

Neveruses (Stinger)

Blackwell, Josh

Plastic, wool, silk, burlap, paper

2015

American

Cloudburst

Cloudburst

Aldrich, Lynn

Vinyl hoses, oil paint, wood panel

2016

American

Harmony 14

Harmony 14

Mulyana

Yarn, Dacron, cable wire, plastic net

2019

Indonesian

The Capture of Christ by Fra Angelico, Cell 33, Museum of San Marco Convent, Florence, Italy

The Capture of Christ by Fra Angelico, Cell 33, Museum of San Marco Convent, Florence, Italy

Polidori, Robert

Archival pigment print

2010

Canadian-American

La Grotta (Palazzo Massimo)

La Grotta (Palazzo Massimo)

Treib, Patricia

Oil on canvas

2021

American

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