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LOOKING

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Howard and Roberta Ahmanson visit Olafur Eliasson’s “Room for one colour (1997)” at the National Gallery in London. The immersive installation is the final work in the exhibition “Monochrome: Painting in Black and White” curated by Jennifer Slivka and sponsored by the Ahmansons'. The exhibition spans seven centuries and includes 50 works by artists who have—in most cases—deliberately turned to monochrome in their art, whether it me black and white paintings, grisaille drawings, yellow and black stained glass, or a room filled with yellow light.
One of the attributes of God himself is Beauty.  Not something sentimental or a means of setting standards to exclude work that doesn’t fit our social or intellectual paradigms, but rather that experience we enjoy when a work of art or the way the light hits the water gives us a deeper and rewarding, even if painful, glimpse into the nature of reality and of our lives. Beyond that, the Bible teaches that human beings are made in the image of God. That means, first off, that we are beautiful. It also means that, as God created the universe in all its glory, we, too, are creators. So, art works are tangible expressions of God’s work in us and in the world. And, we are part of the wonder of it all. Collections bear witness to the Beauty and the extravagance of the universe and the God who created it.
*This art is intended for educational purposes only. It is a representative sample of the Ahmansons' collection. Copyrights belong to the artists.*
Untitled

Untitled

Gilliam, Sam

Watercolor on washing paper

2020

American

Corroso Bowl

Corroso Bowl

Scarpa, Carlo

Hand-blown glass

1940

Italian

Earle

Earle

Hansen, Channing

Cashmere, hybrid California variegated mutant/Rambou/Cotwold/Border Leicester (Cessna), Lionhead (Beatrix & Derek), Merino, Romedale (January), Romedate (Osage), Romney (Heavenly), Romney (Noble), Romney (Obi One), Lionhead (Beatrix & Derek), Shetland (Colin), and Targee fibers; bamboo; bamboo carbon fiber; gold; holographic polymers; sillk noils; Redwood

2014

American

Vase (Green and Red)

Vase (Green and Red)

Büttner, Andrea

Hand-blown glass

2021

German

Soft Shapes II

Soft Shapes II

Paul, Zoë

Wool and thread on found fridge grill

2016

South African

Illuminating

Illuminating

Freeman Bentley, Anna

Oil on canvas

2020

British

Number 243

Number 243

Drew, Leonardo

Wood and paint

2020

American

Atomic (Bliss)

Atomic (Bliss)

Lawlor, Erin

Oil on canvas

2019

British

Untitled

Untitled

Wagner, Merrill

Oil on linen

2002

American

Personal Shell

Personal Shell

Hawkinson, Tim

Molded urethane and epoxy

2019

American

The See Through

The See Through

Woods, Clare

Oil on aluminum

2020

British

Of Insanity

Of Insanity

Krammes, Barry

Mixed media assemblage with wooden base

2010

American

Standing Sculpture (with rope) #6

Standing Sculpture (with rope) #6

Swallow, Ricky

Patinated bronze with oil paint

2018

American

Swayambhu

Swayambhu

Sundaram, Sagarika

Wool, bamboo, vices, wire

2021

Indian

Four Landscapes

Four Landscapes

Wood, Jonas

Ukiyo-e Japanese style woodcuts on paper, set of four

2020

American

River Lea 2

River Lea 2

Brown, Hannah

Oil on marine plywood and oak

2019

British

Abune Kidus

Abune Kidus

Dodds, Kieran

Archival photographic print
Edition 1 of 3 + AP

2018

Scottish

Tod + Leben (Death + Life)

Tod + Leben (Death + Life)

Lüpertz, Markus

Mixed media on canvas in artist’s frame

2016

German

Rombald's Moor

Rombald's Moor

Lipke, Meg

Acrylic and oil on canvas over custom stretcher

2024

American

Crust

Crust

Rullens, Machteld

Cardboard, pigment, oil paint, and resin

2021

Dutch

Field of Pilgrims

Field of Pilgrims

Engelhardt, Maja Lisa

Double-sided bronze relief on base

2022

Danish

Crucifixion with the Virgin and Sts Cosmas, John the Evangelist and Peter Martyr by Fra Angelico, Cell 38 (foreground), Adoration of the Magi and Man of Sorrows, by Fra Angelico, Cell 39 (background) Museum of San Marco Convent, Florence, Italy

Crucifixion with the Virgin and Sts Cosmas, John the Evangelist and Peter Martyr by Fra Angelico, Cell 38 (foreground), Adoration of the Magi and Man of Sorrows, by Fra Angelico, Cell 39 (background) Museum of San Marco Convent, Florence, Italy

Polidori, Robert

Archival pigment print

2010

Canadian-American

Attorcigliato Vase

Attorcigliato Vase

Scarpa, Carlo

Clear "antico" glass

1938

Italian

The Madonna of Adabraka

The Madonna of Adabraka

Timothy, Arthur

Oil on linen

2024

African

Snake Charmer

Snake Charmer

Lawlor, Erin

Oil on canvas

2019

British

They Lying Long Shall Not Die Windly

They Lying Long Shall Not Die Windly

Gordon, Alastair

Acrylic on birch plywood

2017

Scottish

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