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LOOKING
Howard and Roberta Ahmanson visit Olafur Eliasson’s “Room for one colour (1997)” at the National Gallery in London. The immersive installation is the final work in the exhibition “Monochrome: Painting in Black and White” curated by Jennifer Slivka and sponsored by the Ahmansons'. The exhibition spans seven centuries and includes 50 works by artists who have—in most cases—deliberately turned to monochrome in their art, whether it me black and white paintings, grisaille drawings, yellow and black stained glass, or a room filled with yellow light.
One of the attributes of God himself is Beauty. Not something sentimental or a means of setting standards to exclude work that doesn’t fit our social or intellectual paradigms, but rather that experience we enjoy when a work of art or the way the light hits the water gives us a deeper and rewarding, even if painful, glimpse into the nature of reality and of our lives. Beyond that, the Bible teaches that human beings are made in the image of God. That means, first off, that we are beautiful. It also means that, as God created the universe in all its glory, we, too, are creators. So, art works are tangible expressions of God’s work in us and in the world. And, we are part of the wonder of it all. Collections bear witness to the Beauty and the extravagance of the universe and the God who created it.
*This art is intended for educational purposes only. It is a representative sample of the Ahmansons' collection. Copyrights belong to the artists.*
Tightrope: Concave Triangle #8
Sime, Elias
Reclaimed computer components and watch bands on wood
2020
African
Neveruses (Melrose)
Blackwell, Josh
Plastic, wool, silk, jute, paper, fabric, wire
2015
American
Eugenio Vessel
Barovier, Ercole
Hand-blown glass
1963
Italian
Untitled
Herman, Sam
Blown glass
1967
Mexican American
Cadmium Red Light/May Green
Innes, Callum
Watercolor on Canson Heritage 640gssm
2010
Scottish
Untitled
Herman, Sam
Blown glass
1982
Mexican American
Fountain (No. 1)
Anderson, Jonathan
Oil on canvas
2012
American
Lace 2: HIS
Effendi, Iwan
Papier-mâche mask, washi paper, graphite, charcoal, soft pastel, color pencil, pigment on paper
2020
Indonesian
Yet Grace Abounds
Gordon, Alastair
Oil on canvas
2019
Scottish
Venezia, Santa Maria dei Miracoli,
Brunetti, Markus
Archival pigment print
2023
Italian
The Universe in Captivity
Aldrich, Lynn
Velvet, tulle, canvas, vinyl paint, craft puff balls, steel wire, brass cage, mirror
2015
American
Window Series #5
Obering, Mary
Acrylic on canvas
1973
American
Gathered Flock, Peebles (Tweed)
Dodds, Kieran
Photographic print on paper, hand cut and woven
2023
Scottish
New Jerusalem Court
Morgan, Sister Gertrude
Oil on board
circa 1960-1970
American
Eva (Märkisch) (Eve [Märkisch])
Lüpertz, Markus
Mixed media on canvas in artist’s frame
2017
German
Crocifissione
Fontana, Lucio
Painted terrcotta
1954
Italian
Cochiti Female Storyteller
Suina, Ada
Clay, pigment
American
Dizzy Dots I
Turner, Christine
Acrylic, flashe, oil paint on canvas
2020
American
The Eighth Day
Engelhardt, Maja Lisa
Acrylic on canvas
2020
Danish
Olive Green/Red Violet
Innes, Callum
Watercolor on Canson Heritage 640gsrr
2017
Scottish
Fold IV
Gilliam, Sam
Watercolor
2014
American
Intarsio Vase
Barovier, Ercole
Hand-blown glass
1963
Italian
Clermontia
Mead, Clytie
Watercolor on Silk
American
Of Exiles
Krammes, Barry
Mixed media assemblage with wooden base
2018
American
Medusa Vasso
Barovier, Ercole
Hand-blown glass
1938
Italian
Le dejéuner dans la plantation
Padeu, Marc
Acrylic on canvas
2022
African
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