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LOOKING
Howard and Roberta Ahmanson visit Olafur Eliasson’s “Room for one colour (1997)” at the National Gallery in London. The immersive installation is the final work in the exhibition “Monochrome: Painting in Black and White” curated by Jennifer Slivka and sponsored by the Ahmansons'. The exhibition spans seven centuries and includes 50 works by artists who have—in most cases—deliberately turned to monochrome in their art, whether it me black and white paintings, grisaille drawings, yellow and black stained glass, or a room filled with yellow light.
One of the attributes of God himself is Beauty. Not something sentimental or a means of setting standards to exclude work that doesn’t fit our social or intellectual paradigms, but rather that experience we enjoy when a work of art or the way the light hits the water gives us a deeper and rewarding, even if painful, glimpse into the nature of reality and of our lives. Beyond that, the Bible teaches that human beings are made in the image of God. That means, first off, that we are beautiful. It also means that, as God created the universe in all its glory, we, too, are creators. So, art works are tangible expressions of God’s work in us and in the world. And, we are part of the wonder of it all. Collections bear witness to the Beauty and the extravagance of the universe and the God who created it.
*This art is intended for educational purposes only. It is a representative sample of the Ahmansons' collection. Copyrights belong to the artists.*
Ongoing Poem for A Thousand Years
Zhang, Jian-Jun
Chinese ink, oil paint on rice paper
2010
CHINESE
Three Trees
Yiming, Wu
Ink and watercolor on paper
2015
CHINESE
St. Nicholas of Myra
Wiley, Kehinde
Oil on Canvas
2015
AMERICAN
Sleep Don’t Come Easy
Brackens, Diedrick
Woven cotton, nylon, and chenille yarn
2016
AMERICAN
Portrait of a Venetian Nobleman
Tintoretto (Attributed to), Jacobo Robusti
Oil on canvas
1500
ITALIAN
Flag for the New Garden Serenity House Lot
Thayer, Ash
Photograph, Archival Pigment, Print Ed. 1/7
1996
AMERICAN
Jill, Sunset, Fire Escape, Fifth Street Squat
Thayer, Ash
Photograph, Archival Pigment, Print Ed. 1/7
1995
AMERICAN
Street Rally and Protest Against Thirteenth Street Squat
Thayer, Ash
Photograph, Archival Pigment, Print Ed. 1/7
1996
AMERICAN
Calle De Bei Pensieri
Tagliapietra, LIno
Glass
2015
ITALIAN
Crucifixion
Sutherland, Graham
Pastel and gouache over a printed base
1964
BRITISH
Quadrant
Spransy, Linnea
Acrylic on Canvas
2014
AMERICAN
Neon Effulgence
Spransy, Linnea
Acrylic on canvas
2011
AMERICAN
Washing, Study for Leeds Decoration
Spencer, Sir Stanley
Mixed media
1921
BRITISH
Under Heaven
Zhen, Xu
Oil on aluminum plate
2014
CHINESE
Mirage Garden #5
Zhang, Jian-Jun
Silicone rubber
2015
CHINESE
Triptych
Vaughn, Keith
Ink and gouache
1949
BRITISH
Standing Door with Band # 1
Swallow, Ricky
Patinated bronze with oil paint
2016
AUSTRALIAN
Genesis. Archeozoic
Tilson, Joe
Oil on canvas with sacking, laid on board
1958
BRITISH
Kurt on Fire Escape, Fifth Street Squat
Thayer, Ash
Photograph, Archival Pigment, Print Ed. 1/7
1995
AMERICAN
Carrie Taking a Break from Working on the Window, Fifth Street Squat
Thayer, Ash
Photograph, Archival Pigment, Print Ed. 1/7
1995
AMERICAN
Osaka
Tagliapietra, LIno
Glass
2015
ITALIAN
Head of Christ
Sutherland, Graham
Lithograph with pastel accents (1 of 12)
1964
BRITISH
Fragmented Memory_XAE
Stearns, Philip
Jacquard woven cotton
2013
AMERICAN
Promethean Coil
Spransy, Linnea Gabriella
India ink and acrylic on canvas
2013
AMERICAN
Illapse
Spransy, Linnea
Acrylic on canvas
2013
AMERICAN
Study for the Deposition
Spencer, Sir Stanley
Pencil on paper
1954
BRITISH
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