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LOOKING

Howard and Roberta Ahmanson visit Olafur Eliasson’s “Room for one colour (1997)” at the National Gallery in London. The immersive installation is the final work in the exhibition “Monochrome: Painting in Black and White” curated by Jennifer Slivka and sponsored by the Ahmansons'. The exhibition spans seven centuries and includes 50 works by artists who have—in most cases—deliberately turned to monochrome in their art, whether it me black and white paintings, grisaille drawings, yellow and black stained glass, or a room filled with yellow light.
One of the attributes of God himself is Beauty. Not something sentimental or a means of setting standards to exclude work that doesn’t fit our social or intellectual paradigms, but rather that experience we enjoy when a work of art or the way the light hits the water gives us a deeper and rewarding, even if painful, glimpse into the nature of reality and of our lives. Beyond that, the Bible teaches that human beings are made in the image of God. That means, first off, that we are beautiful. It also means that, as God created the universe in all its glory, we, too, are creators. So, art works are tangible expressions of God’s work in us and in the world. And, we are part of the wonder of it all. Collections bear witness to the Beauty and the extravagance of the universe and the God who created it.
*This art is intended for educational purposes only. It is a representative sample of the Ahmansons' collection. Copyrights belong to the artists.*

Run III
Gilliam, Sam
Watercolor on handmade paper paper
2014
American

Crimson Dream
Wilson, Patrick
Acrylic on canvas
2020
American

The Seventh Day (D)
Engelhardt, Maja Lisa
Acrylic on canvas
2017
Danish

Dunmore Ruins, Stirling
Dodds, Kieran
Photographic print on paper
2023
Scottish

30 Coats #4
Lewis, Diaz
Sculpted dryer lint comprised of hair, skin cells, dust, clothing fibers with iron and wire rods
2018
American, Cuban

Where Once a Hermit
Gordon, Alastair
Oil and acrylic on canvas
2023
Scottish

West to Craigleth
Gordon, Alastair
Oil and acrylic on canvas
2023
Scottish

Sway
Day, Heather
Mixed media on canvas
2020
American

FAITH, HOPE & LOVE
Munroe, Lavar
Acrylic, spray paint, mirror beads, doll, faux birds, feather, plastic and staples on canvas
2021
Bahamian-American

Clear/Red Vase
Scarpa, Carlo
Hand-blown glass
1940
Italian

Robit Bata II
Dodds, Kieran
Archival photographic print
Edition 1 of 10 + AP
2018
Scottish

Cowgirl
Fallah, Amir H.
Acrylic, spray paint, and collage on canvas
2020
American

The Seventh Day (K)
Engelhardt, Maja Lisa
Acrylic on canvas
2017
Danish

Praha, Jeruzalémská Synagoga
Brunetti, Markus
Archival pigment print
2019
Italian

The Resurrection
Gill, Eric
Wood engraving
1917
British

Gold Band
Anatsui, El
Hand-sculpted and formed UV cured acrylic resin inkjet on aluminum with irregular hand-cut edges and copper wire
2020
African

And end and a beginning
Freeman Bentley, Anna
Oil on canvas
2023
British

Ghost
Belanger, Genesis
Concrete, steel, zip ties, and walnut
2014
American

Untitled (New Jerusalem)
Morgan, Sister Gertrude
Tempura on paper
c. early 1970s
American

Puntini (Dots) Vase
Scarpa, Carlo
Iridescent clear hand-blown glass
1938
Italian

Orange Frame
Lipke, Meg
Acrylic on muslin with polyester fill and thread
2021
American

Neveruses (Stinger)
Blackwell, Josh
Plastic, wool, silk, burlap, paper
2015
American

Cloudburst
Aldrich, Lynn
Vinyl hoses, oil paint, wood panel
2016
American

Harmony 14
Mulyana
Yarn, Dacron, cable wire, plastic net
2019
Indonesian

The Capture of Christ by Fra Angelico, Cell 33, Museum of San Marco Convent, Florence, Italy
Polidori, Robert
Archival pigment print
2010
Canadian-American

La Grotta (Palazzo Massimo)
Treib, Patricia
Oil on canvas
2021
American
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