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LOOKING

Howard and Roberta Ahmanson visit Olafur Eliasson’s “Room for one colour (1997)” at the National Gallery in London. The immersive installation is the final work in the exhibition “Monochrome: Painting in Black and White” curated by Jennifer Slivka and sponsored by the Ahmansons'. The exhibition spans seven centuries and includes 50 works by artists who have—in most cases—deliberately turned to monochrome in their art, whether it me black and white paintings, grisaille drawings, yellow and black stained glass, or a room filled with yellow light.
One of the attributes of God himself is Beauty. Not something sentimental or a means of setting standards to exclude work that doesn’t fit our social or intellectual paradigms, but rather that experience we enjoy when a work of art or the way the light hits the water gives us a deeper and rewarding, even if painful, glimpse into the nature of reality and of our lives. Beyond that, the Bible teaches that human beings are made in the image of God. That means, first off, that we are beautiful. It also means that, as God created the universe in all its glory, we, too, are creators. So, art works are tangible expressions of God’s work in us and in the world. And, we are part of the wonder of it all. Collections bear witness to the Beauty and the extravagance of the universe and the God who created it.
*This art is intended for educational purposes only. It is a representative sample of the Ahmansons' collection. Copyrights belong to the artists.*

Inside of Abstraction
Groen, Ale
Acrylic on plywood
2018
Canadian

Jose y Maria
Tapia, Luis
Carved and painted wood
Mexican American

Red Pitcher Yellow Flowers
Woodman, Betty
Glazed earthenware, epoxy resin, laquer, paint, canvas
2012
American

Number 243
Drew, Leonard
Wood and paint
2020
AMERICAN

Fold IV
Gilliam, Sam
Pigment-based ink on handmade paper
2014
AMERICAN

30 Coats #4
Diaz-Lewis
Acrylic paint and graphite on digital photograph inkjet on watercolor paper
2018
AMERICAN

Staying Afloat
Lipke, Meg
Muslin, rayon, pleather, plaster gauze, fabric dye
2015
AMERICAN

Reposition I
Novi, Wayan
Acrylic and ballpoint on galvanized zinc
2017
Balinese

Love You, Nephew
Quinn, Nathaniel Mary
Black charcoal, gouache, soft pastel, oil pastel, paint stick, acrylic gold leaf on Coventry Vellum paper
2018
AMERICAN

Reliquary #3: Catch
Meissner, Amy
Vintage domestic, household linens, silk organza, wool, abandoned embroideries and quilts, found object. Machine pieced, hand embroidered and quilted
2015
AMERICAN

Of Seasons
Krammes, Barry
Mixed media assemblage with wooden base
2018
AMERICAN

Siena, Cattedrale di Santa Maria Assunta, 2008-2017
Brunetti, Markus
Archival pigment print, assemblage
2017
GERMAN

A-Z Cover Series: Subjective Composition (Rust and Gold Geometric)
Zittel, Andrea
Textile
2012
AMERICAN

Storyteller
Cordero, Helen
Clay, pigment
1970
American

Enjoy
Zhang, Miao
Brass, stainless steel, wood, shoe polish, metal primer, acrylic paint
2018
Chinese

Construction (No. 6)
Anderson, Jonathan
Oil on oak panel
2013
American

Border
Sime, Elias
Electrical components on panel
2018
ETHIOPIAN

Beauty World (aka Style Variation Grid 8)
Adams, Derrick
Acrylic paint and graphite on digital photograph inkjet on watercolor paper
2019
AMERICAN

Walking on Water-Flight
Fujimura, Makoto
Mineral Pigments and Gold on Kumohada on Belgian
2012
AMERICAN

Fountain (No. 1)
Anderson, Jonathan
Oil on canvas
2012
AMERICAN

Aztec Vase and Carpet #8
Woodman, Betty
Glazed earthenware, epoxy resin, laquer, paint, and canvas
2015
AMERICAN

Standing Sculpture (with Rope)
Swallow, Ricky
Patinated bronze with oil paint
2018
AUSTRALIAN

Brasilia #8
Baan, Iwan
Pigment inkjet print on rag paper
2010
DUTCH

Cockadoodle Drew
Ladd, Steven and William
Archival board, fiber, trinkets, pins, shredded paper, wheat starch, glue, dye, MDF frame
2018
AMERICAN

Madonna and Child
Groen, Ale
Metal chairs and cable
2018
CANADIAN

Exclusive
Bentley, Anna Freeman
Oil and acrylic on canvas
2017
BRITISH
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